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- Deniece Williams Black Butterfly
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- 17-11-2019, 13:55
- 2016 | Soul | R&B | FLAC / APE | Mp3
Artist: Deniece Williams
Title: Niecy (Expanded)
Year Of Release: 2016
Label: Columbia/Legacy
Genre: R&B, Soul
Quality: mp3 320 kbps / flac lossless
Total Time: 00:42:51
Total Size: 100 / 261 mb
WebSite: Album Preview
TracklistTitle: Niecy (Expanded)
Year Of Release: 2016
Label: Columbia/Legacy
Genre: R&B, Soul
Quality: mp3 320 kbps / flac lossless
Total Time: 00:42:51
Total Size: 100 / 261 mb
WebSite: Album Preview
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01. Waiting By the Hotline
02. It's Gonna Take a Miracle
03. Love Notes
04. I Believe In Miracles
05. How Does It Feel (Extended Version)
06. Waiting
07. Now Is the Time for Love
08. A Part of Love
09. It's Gonna Take a Miracle (Single Version)
10. Waiting (Single Version)
11. How Does It Feel
Deniece Williams grew up singing in a Pentecostal church, which was strict on the congregation listening only to gospel music. During the late '60s, she was a candy striper in a Chicago hospital. Outside of wanting a 1959 Thunderbird, she had no serious ambitions. Nontheless, she still had interest in listening to music. Her favorites were Carmen McRae for her diction and Nancy Wilson, who, for Williams, exemplified class and elegance. However, her mother, also a singer, was her idol. The Gary, IN, native was also fond of Stevie Wonder, Earth, Wind & Fire, Minnie Riperton, and Patti LaBelle. (The latter two she tried to emulate before her introduction into the music industry.) In need of employment and with college on the back burner, the fledgling singer was introduced to Wonder by John Harris, her cousin from Detroit, who happened to be on tour as a valet for Wonder (and was also his childhood friend). Her cousin arranged for Williams to meet Wonder backstage at a concert. Six months later, the gifted vocalist was flown into Detroit by Wonder for an audition. Among the 26 who auditioned, Williams, who sang 'Teach Me Tonight,' was only one of three who was hired by Wonder. The three became known as Wonderlove. Williams being hired by Wonder was a big surprise. Soon after the audition, she toured with Wonder, who was the opening act for the Rolling Stones at the time. Her touring with Wonder lasted for several years. Though her stint with Wonder was a great experience and opportunity, it was also difficult considering Williams had to make many adjustments professionally and personally (she had two sons prior to taking the gig: one 4 months old, the other 18 months). Williams left Wonderlove in 1975 and teamed up with producer Maurice White, the leader of Earth, Wind & Fire. Under White's direction, Williams learned the business of music and was able to unwind and express herself musically. Under the Columbia banner, Williams released her first album entitled This Is Niecey. It featured the Billboard R&B number two single 'Free,' which also sealed the Top 25 on the pop charts. The song was personal to Williams, who felt restricted while with Wonderlove. The album also featured 'Cause You Love Me Baby' and 'That's What Friends Are For.' In 1977 the album Song Bird was released, and it featured the number 13 single 'Baby, Baby My Love's All for You.' The following year the dynamic singer scored her first number one song on both the R&B and pop charts with 'Too Much, Too Little, Too Late,' which was a duet with the legendary Johnny Mathis. The follow-up single, 'You're All Need to Get By,' was also recorded with Mathis and it was a Top Ten single. Still under White's tutelage, Williams moved over to White's American Recording Company (ARC) and stumbled a few times with several releases before scoring the smash hit 'Silly.' Written by Williams and produced by famed producer Thom Bell, she sang this song from her own personal experience as well. The single became a Top Ten gem. In 1982 Bell returned the sweet songstress to number one with the single 'It's Gonna Take a Miracle.' Always writing from her own experience, Williams wrote the Top Ten single 'Do What You Feel' based on the ordeals of someone else. (A believer in the song at the time, she no longer employs those beliefs.) In 1984 Williams recorded the number one hit 'Let's Hear It for the Boy.' Featured on the Footloose soundtrack, the single was produced by music virtuoso George Duke, who initially thought the song was too pop-ish and would not work. However, Duke's production savvy proved to be as paramount as Williams' vocals. In 1984 the sensational singer recorded 'Black Butterfly.' From a African-American perspective, Williams immediately bonded with the song. The song would become a prelude to the uplifting gospel material Williams would record a few years later. With her label, Columbia, uninterested, Williams released the gospel album From the Beginning on Sparrow Records. The album featured the Grammy Award-winning single 'They Say.' The same year she also won a Grammy for 'I Surrender' and another for 'I Believe in You' in 1987.
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- 23-10-2020, 22:32
- 2018 | Soul | Funk | Pop | Oldies | Disco | FLAC / APE | Mp3
Artist: Deniece Williams
Title: The Essential Deniece Williams: The Columbia Years
Year Of Release: 2018
Label: Columbia/Legacy
Genre: Funk, Pop, Disco, Soul
Quality: Flac (tracks)/320 Kbps
Total Time: 2:31:16
Total Size: 853/360 MB
WebSite: Album Preview
Tracklist:Title: The Essential Deniece Williams: The Columbia Years
Year Of Release: 2018
Label: Columbia/Legacy
Genre: Funk, Pop, Disco, Soul
Quality: Flac (tracks)/320 Kbps
Total Time: 2:31:16
Total Size: 853/360 MB
WebSite: Album Preview
1. Free (5:55)
2. Baby, Baby My Love's All For You (4:06)
3. What Two Can Do (3:52)
Deniece Williams Black Butterfly
4. I Found Love (3:50)5. It's Gonna Take A Miracle (4:09)
6. Too Much, Too Little, Too Late (With Johnny Mathis) (2:57)
7. Waiting By The Hotline (3:38)
8. It's Your Conscience (3:52)
9. Waiting (3:31)
10. Silly (5:56)
11. If You Don't Believe (7:56)
12. God Is Amazing (3:59)
13. You're All I Need To Get By (With Johnny Mathis (2:37)
14. That's What Friends Are For (4:26)
15. The Boy I Left Behind (6:26)
16. I've Got The Next Dance (12' Disco Mix) (6:23)
17. Cause You Love Me Baby (4:06)
18. When Love Comes Calling (3:26)
1. Let's Hear It For The Boy (Extended Version) (6:00)
2. Do What You Feel (7') (4:07)
Deniece Williams Songs
3. Without Us (With Johnny Mathis (4:00)4. I Can't Wait (4:23)
5. I'm So Proud (3:52)
6. Black Butterfly (4:26)
7. Next Love (4:33)
8. Never Say Never (Dance) (5:01)
9. Wiser And Weaker (5:12)
10. I Confess (3:51)
11. All I Need (4:12)
Deniece Williams Silly Mp3 Juices
12. Healing (4:38)
Deniece Williams Biography
13. This Is As Good As It Gets (4:28)
14. You're All That Matters (5:15)
15. Love Won't Let Me Wait (With Johnny Mathis (4:15)
Deniece Williams Today
16. Why Can't We Fall In Love (4:40) One of the most distinctive vocalists who arrived during the soul era, Deniece Williams is known for soaring, four-octave soprano voice, late-'70s and early-'80s R&B classics such as 'Free' and 'Silly,' and the 1984 number one pop hit 'Let's Hear It for the Boy.' Born June Deniece Chandler in Gary, Indiana, she grew up singing in a Pentecostal church, which forbid the congregation to listen to anything but gospel music. Outside of wanting a 1959 Thunderbird, she had no serious ambitions but was deeply interested in music. Her favorite singers were Carmen McRae (for her diction) and Nancy Wilson, who, for Williams, exemplified class and elegance. However, her she also looked up to her parents, both of whom sang. From 1968 through 1970, Williams recorded a handful of singles for the Chicago-based Lock and Toddlin' Town labels as Deniece (or Denise) Chandler. None of them charted, but 'I'm Walking Away' and 'Mama, I Wish I Stayed Home' became Northern soul cult classics.
In need of employment and with college on the back burner, the fledgling singer was introduced to personal hero Stevie Wonder by John Harris, her cousin from Detroit, who happened to be on tour as a valet for Wonder (and was also his childhood friend). Her cousin arranged for Williams to meet Wonder backstage at a concert. Six months later, Williams was flown into Detroit by Wonder for an audition. Among the 26 who auditioned, Williams, who sang 'Teach Me Tonight,' was one of three hired by Wonder. The three became known as Wonderlove. Her touring with Wonder lasted for several years, a period in which she recorded background vocals for Talking Book, Fulfillingness' First Finale, and Songs in the Key of Life, Wonder-produced Syreeta and Minnie Riperton sessions, and other releases by the likes of Esther Phillips and Roberta Flack.
Williams' solo career gained serious momentum after she left Wonderlove and teamed up with Maurice White, the leader of Earth, Wind & Fire. Under White's direction, Williams learned the business of music and was able to unwind and express herself musically. Signed to major-label Columbia, Williams released her first album, This Is Niecy, in 1976. Co-produced by White and Charles Stepney, it featured the Billboard R&B number two single 'Free,' which also crossed over to number 25 on the Hot 100. 'Cause You Love Me Baby' and 'That's What Friends Are For' also charted.
In 1977, the follow-up Song Bird was released, and it featured the number 13 single 'Baby, Baby My Love's All for You.' The following year the singer scored her first number one song on both the R&B and Hot 100 charts with 'Too Much, Too Little, Too Late,' a duet with the legendary Johnny Mathis. The next single, 'You're All Need to Get By,' was also recorded with Mathis and went Top Ten. Still working with White, Williams scored another smash hit in 1981 with 'Silly,' co-written and co-produced by Williams with help from famed Philly soul figure Thom Bell. The single became a Top Ten gem. The following year, Williams and Bell returned to number one with another sweet ballad, 'It's Gonna Take a Miracle.'
Williams' biggest hit of all came two years later with 'Let's Hear It for the Boy.' Featured on the Footloose soundtrack, it introduced her to a new audience. The single was produced by music virtuoso George Duke, who initially thought the song was too pop and would not work. However, Duke's production savvy proved to be as paramount as Williams' vocals. Three months after the release of Footloose, 'Let's Hear It for the Boy' became the title track of Williams' seventh proper solo album, which also featured the stunning 'Black Butterfly,' a prelude to the uplifting contemporary gospel material Williams recorded for the Sparrow label. During the latter half of the '80s, she won Grammy awards in the categories of Best Female Soul Gospel Performance (for 'I Surrender All'), Best Duo or Group Gospel Performance (for the Sandi Patti duet 'They Say'), and Best Female Gospel Performance (for 'I Believe in You').
Throughout the following decades, Williams recorded every few years. She released three full-lengths on as many labels during the '90s. During the 2000s, she recorded only Love, Niecy Style, an album of covers produced by Bobby Eli that featured appearances from old friends Stevie Wonder, Philip Bailey, and George Duke. Each one of her '70s and '80s solo albums was reissued by a handful of labels, most prominently the U.K.'s BBR, which also assembled the extensive Black Butterfly: The Essential Niecy in 2016.
In need of employment and with college on the back burner, the fledgling singer was introduced to personal hero Stevie Wonder by John Harris, her cousin from Detroit, who happened to be on tour as a valet for Wonder (and was also his childhood friend). Her cousin arranged for Williams to meet Wonder backstage at a concert. Six months later, Williams was flown into Detroit by Wonder for an audition. Among the 26 who auditioned, Williams, who sang 'Teach Me Tonight,' was one of three hired by Wonder. The three became known as Wonderlove. Her touring with Wonder lasted for several years, a period in which she recorded background vocals for Talking Book, Fulfillingness' First Finale, and Songs in the Key of Life, Wonder-produced Syreeta and Minnie Riperton sessions, and other releases by the likes of Esther Phillips and Roberta Flack.
Williams' solo career gained serious momentum after she left Wonderlove and teamed up with Maurice White, the leader of Earth, Wind & Fire. Under White's direction, Williams learned the business of music and was able to unwind and express herself musically. Signed to major-label Columbia, Williams released her first album, This Is Niecy, in 1976. Co-produced by White and Charles Stepney, it featured the Billboard R&B number two single 'Free,' which also crossed over to number 25 on the Hot 100. 'Cause You Love Me Baby' and 'That's What Friends Are For' also charted.
In 1977, the follow-up Song Bird was released, and it featured the number 13 single 'Baby, Baby My Love's All for You.' The following year the singer scored her first number one song on both the R&B and Hot 100 charts with 'Too Much, Too Little, Too Late,' a duet with the legendary Johnny Mathis. The next single, 'You're All Need to Get By,' was also recorded with Mathis and went Top Ten. Still working with White, Williams scored another smash hit in 1981 with 'Silly,' co-written and co-produced by Williams with help from famed Philly soul figure Thom Bell. The single became a Top Ten gem. The following year, Williams and Bell returned to number one with another sweet ballad, 'It's Gonna Take a Miracle.'
Williams' biggest hit of all came two years later with 'Let's Hear It for the Boy.' Featured on the Footloose soundtrack, it introduced her to a new audience. The single was produced by music virtuoso George Duke, who initially thought the song was too pop and would not work. However, Duke's production savvy proved to be as paramount as Williams' vocals. Three months after the release of Footloose, 'Let's Hear It for the Boy' became the title track of Williams' seventh proper solo album, which also featured the stunning 'Black Butterfly,' a prelude to the uplifting contemporary gospel material Williams recorded for the Sparrow label. During the latter half of the '80s, she won Grammy awards in the categories of Best Female Soul Gospel Performance (for 'I Surrender All'), Best Duo or Group Gospel Performance (for the Sandi Patti duet 'They Say'), and Best Female Gospel Performance (for 'I Believe in You').
Throughout the following decades, Williams recorded every few years. She released three full-lengths on as many labels during the '90s. During the 2000s, she recorded only Love, Niecy Style, an album of covers produced by Bobby Eli that featured appearances from old friends Stevie Wonder, Philip Bailey, and George Duke. Each one of her '70s and '80s solo albums was reissued by a handful of labels, most prominently the U.K.'s BBR, which also assembled the extensive Black Butterfly: The Essential Niecy in 2016.